They also used parts of varying quality, which often meant that the pedals often sounded different and couldn’t handle much abuse. New models would sometimes feature old parts and there were a lot of so-called transition models. Especially those pre 1980 models but the prices on the Sovtek models are also rising fast.Ĭommon for the pedals Electro Harmonix produced in the 1970s was they were often inconsistent with their designs. When the grunge bands appeared in the early 90s, the Big Muff was back in favour and since then they’ve pretty much been some of the hottest items on the vintage market. Vintage, reissue or clone?īack in the digital era of the 1980s, the old Big Muff pedals were considered very uncool and was either thrown away or stashed away in an attic somewhere. See the Big Muff Pi Page for a complete history on the Big Muff. Today, Electro Harmonix, with Matthews in charge, is as successful as ever and the Big Muff is surely one of the most popular pedals of all time. The Big Muff has gone through many changes since then, with the so-called “triangle” and “ram’s head” models as the most recognisable.Īfter closing doors in the mid 80s, Matthews moved to Russia and founded Sovtek, which produced tubes and a new version of the Big Muff housed in huge tank-like boxes. The initial goal was to create a sustain pedal, which would sound different from contemporary fuzz circuits. The Big Muff was designed by Mike Matthews, who in the late 60s formed Electro Harmonix and went on to produce some of the most iconic pedals in the business. Still, the pedal has put its familiar stamp on countless recordings, including perhaps the greatest solo of all time, – Comfortably Numb. It’s actually quite limited in its use and having a Big Muff paired with the “wrong” guitar and amp can sound pretty horrible. Nothing sounds quite like it and it’s certainly not for everyone or every musical style. In this feature you’ll learn how to choose the right Big Muff model for your setup and how to achieve those killer tones. Whether you’re set on nailing David Gilmour’s huge lead tones or just want something that will make your listeners jump in their seats, you got to love the Big Muff.
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